PARTIAL TRANSCRIPT OF AMAZING JOHNATHAN
INTERVIEW
BY STEVE FRIESS, AUGUST 2007
CREDIT: THE STRIP PODCAST, THESTRIPPODCAST.COM.
E-MAIL AT THESTRIPPODCAST (at) AOL.COM.
[Hear the entire interview
on The Strip Podcast here]
Amazing Johnathan:
Everybody's really uptight and it's really hurting comedy.
Steve Friess: You think?
AJ: Yeah. All this political correct you can't
do this, you can't do that. Here's the perfect example: Look
at Michael Richards using the word "n----" on stage, calling
guys n---- like that? If there was a black guy on stage and
it was reversed, if he was calling somebody a honkie or a white,
nothing. There would've been no repercussions.
Steve Friess: Does it matter that he was saying
it sort of viciously and angry? He wasn't trying to be funny
with it, was he?
AJ: Well, he wasn't funny with it. He was angry.
But, but what if the situation was reversed is my point. What
if a black comic was angry going off on a white couple. Nothing.
There would've been no repercussions. That's my point. Everybody's
going too far with it, you know what I mean?
SF: What do you think should've happened with
Michael Richards?
AJ: What I think should've happened is, well,
the manager should've thrown the black people out. That's what
I think should've happened. If they were heckling him during
the show, they were wrong. And anything you do, if you're heckling
a comic and interrupting a show, you're a n---- at that point,
you know what I mean, in my eyes. You're not an audience member,
you're not a friend, you are the worst possible scenario. You're
disrupting my job, so you're a n----. I wouldn't yell that word
out and tell them that, I would have handled it a little bit
more differently. If I did use that word, it would've been funny.
I mean, I've called women in the audience c---s and I've gotten
away with it because they were c---s but I did it right. There
is a way to do it right.
SF: Do you have cases where you throw people
out?
AJ: Yeah, I thrown people out all the time.
Because here's the way I figure it. One time, I'll use a heckler
line. I'll be funny with them once. I'll be funny with them
twice, the third time, I'm warning them. Look, people did not
pay $70 to come here and listen to you talk through my whole
show. I say, the next word out of your mouth you're gonna be
standing in the parking lot saying, "Wasn't that the best show?'
Invariably, they do say something again and I have them thrown
out.
SF: But you've never called someone in the
audience a n----, have you?
AJ: No, I would never use that word on stage
ever. The only time I use that word is when it's needed in a
joke that I've heard. (laughs) And at that point it's a joke,
so. My friends, they're not offended by that word, they're not
offended by any word. People I hang around with - and you'd
be surprised the people I hang around with - they're not offended
by that word. They're educated and they know it's just a word
and it's a funny word, y'know.
SF: I wanted to talk to you a little bit about...
AJ: You know who hates it the most?
SF: Who?
AJ: N----s. (Laughs) Kidding!
On Penn & Teller: "They're not nearly as funny
as I am. They don't get a quarter of the laughs I get. But they're
very good."
On Hans Klok:
"You've got Lance Burton, you've got David Copperfield, you
don't need another big illusionist here. It's all been done
before. He didn't come to town with a new hook. And a celebrity
assistant is not a big enough hook."
On Steve Wyrick:
"Steve Wyrick's trying to get in the back door of that. All
the money in the world's not going to buy him that. There's
no more room for it. Why's he been around? Because audiences
are coming to see him and they love him? Or he's got a lot of
money to keep his showroom open? His family comes from oil and
he's the drain, the black sheep of the family draining all the
money out. … Is he selling tickets? No."
On the Criss Angel-Cirque
du Soleil alliance: "You're not going ot see a bad
Cirque show. You know it's going to be good. With Criss and
Cirque combined. There's going to be room for that. There wouldn't
be room for Criss by himself, but with Cirque behind it, I think
he's going to kill. It's a combination of two killer effects."
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