
Nov. 11, 2003
The Truth about Siegfried
& Roy
THE DUO HAVE NEVER DENIED THEIR
PAST ROMANTIC RELATIONSHIP. SO WHY IS THE MEDIA IGNORING IT?
By Steve Friess
The trick to a good illusion is
that it all happens right in front of you, and you know you're
being fooled. But you can't figure out how, no matter how carefully
you watch.
Siegfried and Roy have always been master illusionists,
both on the stage and off. Sure, making a 600-pound white tiger
disappear in the blink of a pyrotechnic is impressive, but it's
the way that the pair have managed over the years to become
the world's most openly closeted celebrities that's truly awe-inspiring.
This became ever more obvious after Roy Horn's
horrific onstage mauling by a tiger in Las Vegas October 3.
An international media mob picked over just about every biographical
detail about Horn's and Siegfried Fischbacher's 44-year history
together but studiously avoided actually stating that the two
were once involved romantically. (My own dispatches for major
national newspapers all mysteriously shed my explicit references
to them as former lovers.)
It's not as though it was a big secret, although
I thought so at first. Siegfried avoided answering the question
in a 1999 Vanity Fair interview, and here in Vegas the pair
have never had any presence in the gay community outside of
buying ads in the program book of a major AIDS fund-raising
show. Yet when I talked to MGM Mirage spokesman Alan Feldman
the night of the tiger attack, he was frank: "It's well-known
that they were lovers at one time," shrugged Feldman, whose
company owns the Mirage Hotel and Casino, where the magic show
had been held since 1990. "I don't think anybody is hiding that."
Similarly, that 1999 Vanity Fair article-headlined, by the way,
"Married, With Tigers"-included a quote from the duo's pal Shirley
MacLaine that acknowledged their past romantic involvement.
And in Siegfried's first solo interview, with CNN's Larry King
five days after the mauling, Siegfried himself confirmed with
considerable emotion that his connection to Roy "is a relationship
second to none" in his life.
Still, other journalists told me they didn't
mention their romantic connection-but hinted instead with buzzwords
like "flamboyant"-because they just didn't feel they knew for
sure. Besides, I heard frequently, what's the relevance?
To put it mildly, neither of these concepts
makes sense. "Siegfried and Roy" is synonymous in popular culture
with "splashy gay couple." They have inspired so many good-natured
queer punch lines that Las Vegas Review-Journal columnist Norm
Clarke listed all the shows on the Strip that rushed to delete
jokes about them in the days after the tiger attack. A David
Letterman Top Ten list a few years back titled "Middle-of-the-Night
Messages Siegfried Left on Roy's Answering Machine" included
"Want to go to Hooters and pretend to look at chicks?"
As for relevance, Siegfried and Roy's onetime
romantic connection is, as I learned, a basic, easily available
piece of biographical information and must have had an incalculable
impact on the formation of their performing partnership-and
on Siegfried's reaction to the events of October 3. Imagine
how silly it would have been for the media to omit Sonny Bono's
marriage to Cher from his obituary. Why would they?
This is not to say Siegfried and Roy have lived
their lives untruthfully. They haven't. Everyone knows they
are together in some intimate way; everybody's seen them together
onstage in their sequins night after night. Unlike their most
obvious Las Vegas forebear, Liberace, they have never sued anyone
to prove their heterosexuality. They are, as Las Vegas activist
and columnist Lee Plotkin likes to say, simply "passively gay."
The deliciously subversive sleight of hand
they've pulled off on Middle America was never more apparent
than after Roy's injury. I found an 80-year-old lady from rural
Illinois with a "What would Jesus do?" pin on her lapel and
an ornate cross around her neck signing a well-wisher board
outside the Mirage the day the show was permanently canceled.
With tears in her eyes and without a trace of irony in her voice,
she said, "I just love them both so. They were the one of the
last wholesome things left to see in this town."
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